Showing posts with label porcelain doll. Show all posts
Showing posts with label porcelain doll. Show all posts

Tuesday, July 28, 2009

Madame Alexander's Margaret


Madame Alexander was Madame Beatrice Alexander Behrman, the daughter of Russian immigrants. Her father owned one of the first doll hospitals in the United States, and it was this background that gave Madame Alexander her love of dolls and inspired her to start her own line.

The Madame Alexander doll company was founded in 1923 in New York City (where it still operates today.) The company can boast a series of firsts in the doll industry: the first doll based on a licensed character (Scarlett from Gone With the Wind); the first to create character dolls in honor of living people (Princess Elizabeth, the Dionne Quints, Shari Lewis, Coco Chanel). Madame Alexander was also the first to introduce the first mature figured fashion doll with haute couture outfits (Cissy, followed by Elise and Jacqueline to name a few).

In the late 1940's, Madame Alexander designed a face sculpt and christened it Margaret. Dolls were subsequently manufactured and named for child actor Margaret O'Brien. Margaret played "Tootie" in the film "Meet Me in St Louis," whose character buried dolls who had died from some imaginary fatal disease. A Margaret O'Brien doll seems a perfect match.

The Margaret mold was also used for many other characters. Margaret was used for Little Women characters, Wendy from Peter Pan, storybook characters like Alice in Wonderland, and The Faerie Queen. Not all Margaret dolls are Margaret O'Brien. Madame Alexander distinguished her character dolls by what costumes they wore, as opposed to how their faces and bodies were sculpted. If you own a Margaret doll and don't have her original clothes, there's no telling who she might be, although her wig style may help to identify her.

A later addition to the Margaret collection, is Princess Margaret Rose, Queen Elizabeth's late sister. She also has a Margaret face.

Madame Alexander dolls from this era may or may not be marked on their backs or backs of their heads - so it's important to be familiar with the face sculpt when you're looking for a doll to add to your collection. Quality materials and craftsmanship are the hallmarks of a Madame Alexander doll.

I have three Margaret dolls, and they are all just that bit different. One 18 inch hard plastic Margaret came to me dressed in lingerie, so I have no idea whom she was originally intended to represent. Another hard plastic Margaret, a 14 inch version, is Wendy from Peter Pan. She wears her original costume - that's the only way I know who she is. The third Margaret is Princess Margaret Rose, a porcelain doll. In my opinion, Margaret is the most appealing of all the Madame Alexander face sculpts, although I have several other types as well.




Madame Alexander's Margaret


Madame Alexander was Madame Beatrice Alexander Behrman, the daughter of Russian immigrants. Her father owned one of the first doll hospitals in the United States, and it was this background that gave Madame Alexander her love of dolls and inspired her to start her own line.

The Madame Alexander doll company was founded in 1923 in New York City (where it still operates today.) The company can boast a series of firsts in the doll industry: the first doll based on a licensed character (Scarlett from Gone With the Wind); the first to create character dolls in honor of living people (Princess Elizabeth, the Dionne Quints, Shari Lewis, Coco Chanel). Madame Alexander was also the first to introduce the first mature figured fashion doll with haute couture outfits (Cissy, followed by Elise and Jacqueline to name a few).

In the late 1940's, Madame Alexander designed a face sculpt and christened it Margaret. Dolls were subsequently manufactured and named for child actor Margaret O'Brien. Margaret played "Tootie" in the film "Meet Me in St Louis," whose character buried dolls who had died from some imaginary fatal disease. A Margaret O'Brien doll seems a perfect match.

The Margaret mold was also used for many other characters. Margaret was used for Little Women characters, Wendy from Peter Pan, storybook characters like Alice in Wonderland, and The Faerie Queen. Not all Margaret dolls are Margaret O'Brien. Madame Alexander distinguished her character dolls by what costumes they wore, as opposed to how their faces and bodies were sculpted. If you own a Margaret doll and don't have her original clothes, there's no telling who she might be, although her wig style may help to identify her.

A later addition to the Margaret collection, is Princess Margaret Rose, Queen Elizabeth's late sister. She also has a Margaret face.

Madame Alexander dolls from this era may or may not be marked on their backs or backs of their heads - so it's important to be familiar with the face sculpt when you're looking for a doll to add to your collection. Quality materials and craftsmanship are the hallmarks of a Madame Alexander doll.

I have three Margaret dolls, and they are all just that bit different. One 18 inch hard plastic Margaret came to me dressed in lingerie, so I have no idea whom she was originally intended to represent. Another hard plastic Margaret, a 14 inch version, is Wendy from Peter Pan. She wears her original costume - that's the only way I know who she is. The third Margaret is Princess Margaret Rose, a porcelain doll. In my opinion, Margaret is the most appealing of all the Madame Alexander face sculpts, although I have several other types as well.




Sunday, June 28, 2009

Kewpie

Kewpie is probably the longest lasting, most endearing doll of all time, but interestingly enough, Kewpie never started out as a doll. Kewpie was an illustration by Rose O'Neill in the Ladies Home Journal in the early 1900's. Kewpies (a play on the name Cupid), were helpful little angelic androgynous beings who assisted women in their daily lives. They assisted women in noble causes like women's suffrage and in battling injustice - things that were important to Rose O'Neill.

In 1909, Rose O'Neill patented the doll based on her illustrations, and in 1913, the first Kewpie dolls were sold. They were made in Germany of bisque or celluloid (the bisque dolls are often marked J. D. Kestner,) but soon afterwards, the Kewpie craze swept the world. Kewpies began to appear on everything from greeting cards, to tea towels, talcum powder dusters, post cards, piano toppers and food packaging, just to name a few. Kewpies became the staple of many a county fair as game prizes. Many a young man wanted to win a Kewpie doll for his lady love. Within a few short years, Kewpie became the most purchased doll on the market and is arguably the first mass-produced doll.


Kewpies were manufactured in all different sizes, qualities and materials because Rose O'Neill wanted to make sure that any parent of any child who wanted a Kewpie, could afford to buy one. The early dolls have blue wings on their backs - which makes it much easier for them to get around to do their good deeds! Their legs and necks are often "frozen," but their shoulders are articulated. Kewpies have a telltale watermelon rind grin, side glancing eyes, and starfish hands. Kewpies were made in America by the Cameo Doll Company. These composition dolls come with a red paper heart label on their chests, attesting to the world that they are the one and only Rose O'Neill Kewpie doll. Some dolls have Rose O'Neill's signature on the foot.

Later Kewpies were made of vinyl. Some of these do not have wings, and their legs are articulated. Most are made by the Cameo or F&B (Effanbee) Doll Company. Today, Charisma Dolls continues to manufacture Kewpies. Kewpies come with a variety of costumes, but in Rose O'Neill's illustrations, Kewpies did not wear clothes. Kewpies are also available made from a new type of composition, often called compo-esque or composition-esque.

I have an original 12" tall Cameo composition Kewpie with a red heart label and blue wings on its back. Its outfit is a later purchase, which I thought just suited this adorable cherub. I also have a 12" black Kewpie, made of porcelain, that was made in the 1970's. That Kewpie has white wings and is quite heavy. Kewpie 2 has been signed on her foot by her creator. I haven't dressed Kewpie 2 yet, but am debating on whether or not it should stay true to Rose O'Neill's illustrations and enjoy being a naturalist.

Kewpies are always collectable. It's amazing, after 100 years, we still love Kewpies! For the avid Kewpie fan, Rose O'Neill's home, Bonniebrook in Branson, Missouri has been preserved and is open to visitors.

Kewpie

Kewpie is probably the longest lasting, most endearing doll of all time, but interestingly enough, Kewpie never started out as a doll. Kewpie was an illustration by Rose O'Neill in the Ladies Home Journal in the early 1900's. Kewpies (a play on the name Cupid), were helpful little angelic androgynous beings who assisted women in their daily lives. They assisted women in noble causes like women's suffrage and in battling injustice - things that were important to Rose O'Neill.

In 1909, Rose O'Neill patented the doll based on her illustrations, and in 1913, the first Kewpie dolls were sold. They were made in Germany of bisque or celluloid (the bisque dolls are often marked J. D. Kestner,) but soon afterwards, the Kewpie craze swept the world. Kewpies began to appear on everything from greeting cards, to tea towels, talcum powder dusters, post cards, piano toppers and food packaging, just to name a few. Kewpies became the staple of many a county fair as game prizes. Many a young man wanted to win a Kewpie doll for his lady love. Within a few short years, Kewpie became the most purchased doll on the market and is arguably the first mass-produced doll.


Kewpies were manufactured in all different sizes, qualities and materials because Rose O'Neill wanted to make sure that any parent of any child who wanted a Kewpie, could afford to buy one. The early dolls have blue wings on their backs - which makes it much easier for them to get around to do their good deeds! Their legs and necks are often "frozen," but their shoulders are articulated. Kewpies have a telltale watermelon rind grin, side glancing eyes, and starfish hands. Kewpies were made in America by the Cameo Doll Company. These composition dolls come with a red paper heart label on their chests, attesting to the world that they are the one and only Rose O'Neill Kewpie doll. Some dolls have Rose O'Neill's signature on the foot.

Later Kewpies were made of vinyl. Some of these do not have wings, and their legs are articulated. Most are made by the Cameo or F&B (Effanbee) Doll Company. Today, Charisma Dolls continues to manufacture Kewpies. Kewpies come with a variety of costumes, but in Rose O'Neill's illustrations, Kewpies did not wear clothes. Kewpies are also available made from a new type of composition, often called compo-esque or composition-esque.

I have an original 12" tall Cameo composition Kewpie with a red heart label and blue wings on its back. Its outfit is a later purchase, which I thought just suited this adorable cherub. I also have a 12" black Kewpie, made of porcelain, that was made in the 1970's. That Kewpie has white wings and is quite heavy. Kewpie 2 has been signed on her foot by her creator. I haven't dressed Kewpie 2 yet, but am debating on whether or not it should stay true to Rose O'Neill's illustrations and enjoy being a naturalist.

Kewpies are always collectable. It's amazing, after 100 years, we still love Kewpies! For the avid Kewpie fan, Rose O'Neill's home, Bonniebrook in Branson, Missouri has been preserved and is open to visitors.